As an actor you already know much about language.
And, tomes upon tomes have been written about it. Let’s touch on a few points.
Writers know language best and actors …Read More
This is the proper title.
At the end of the day when we make movies you are acting for the camera. The acting classes geared for film and TV must have this title.
Yes, read-throughs, first blocking …Read More
There are always real objects in front of you when you’re filming.
If you’re supposed to be seeing elephants running towards you see what works best for you to focus your eyes.
For you and for us watching you on …
When you’re preparing an audition or going on set and you know the situation, the tone, the quality, what you’re doing - try to avoid beating it to death.
You want to work hard. Good. But, ask yourself what hard …Read More
As you speak, your mind can be aware of the beauty and clarity of the language it's creating.
With certain characters – speakers – there is an awareness that their dialogue – their speech - is good. Or, the manner in which they are delivering it sounds good.
It’s an overlapping support …Read More
In acting class, working with two beginners, one of them asked how do you do commercial auditions.
One key part is to go ready to improvise the situations they give you. Let’s do some now to see.
I made up a Coca-Cola ad. You walk …Read More
Lots of characters are bored.
People get bored. You get bored. I get bored.
Some scenes the two characters are just passing time. That’s their action. Their objective is to be happy. They get happy by hearing the …Read More
Bridge thoughts are the thoughts between the lines.
They are before a new speech or line, and bridge the ‘end’ to the ‘beginning’.
You first receive the impulse from something sent to you, and then you respond, and, as you inhale, different thoughts affect your ...Read More
Football coach, Sir Alex Ferguson, says:
‘Prominent in the category of principles that are as important to me now as they were 30 years ago is the certainty that good coaching relies on repetition. Forget all the nonsense about altering training programmes to keep players happy. The argument that they must be stimulated ...
Pinchas Zukerman, the conductor, violinist, and teacher says that if you find a good teacher—stay with them.
I fully support this idea.
Learning from a different teacher is fine, but jumping from class-to-class to see ...Read More
When preparing a scene you should ask questions.
The answers aren’t the point; the point is the ‘asking of the questions’ and getting your mind active. The questions will stimulate your imagination, one of the best ...Read More
There’s a limit to what you would let someone say about your mother.
No way will we allow our mothers to be humiliated beyond a line of acceptable social humour or criticism.
We defend our mothers ...Read More
It’s a nice image when you’re trying to affect the other actor.
How sharply can you send your point? How much bloodshed do you want to cause? In this moment of the scene are you going to prick your fellow actor, or are you going to ...Read More
Try to like how you’re playing the scene, doing an audition, acting in close-up, or blocking for camera.
The wonderful acting teacher, Keith Johnstone, often asks the following question after an improv finishes: “Did you like it; did you enjoy it; was it pleasurable; was it fun?”.
Try not to get ...Read More
Always be looking to have your face away from the camera. You might think you need to always be looking in the other actor’s eyes.
Decide what is suitable and most useful.
If time has passed in the scene you might be ...Read More
John Boylan | Toronto Acting Coach
Semi-Private Sessions were initiated in 2009 and is the only course like this in Toronto. The courses have proved highly successful with actors making breakthroughs, assimilating ideas, and going from incoherence on acting topics to coherence. They offer ...
After delivering Directing the Actor at the New York University, Graduate Film School, the National Screen Institute, Winnipeg and for The Directors Guild of Canada this course is now ...
These Sessions are right for you if you are an Advanced actor auditioning and shooting regularly or a Beginner. Separate Sessions will be conducted for actors at each level.
You can work in a Semi-Private Session anytime during the year. Just contact John and let him know you'd like to do that and you two can find a partner for you and set up …
IT'S YOUR SPACE. TAKE YOUR PLACE.
A photo and resume must be submitted before registration is confirmed. Scheduled classes and coachings cannot be re-scheduled. If you’re unable to attend you forfeit the time and fee. Make up classes are not held over to future sessions, there are no refunds and money cannot be used towards another class. We reserve the right to change time, date, price of our courses.